Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4

Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4 | This Large Rococo Mirror, In the article that you read this time with the title Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4, we have prepared this article well for you to read and take information in it. We hope this post will be useful Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4 and we write this you can understand. alright, happy reading.

Title : Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4
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Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4

Large Antique Victorian C.1830 Gilt Gold Leaf Rococo Picture Frame\/ Mirror 22\u0026quot; X 31 1\/4

The word rococo was first used in 1835 in France, as a entertaining variation of the word rocaille or a combination of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to garnish grottoes and fountains before the Renaissance.[8][9] In the late 17th and at the forefront 18th century it became the term for a nice of decorative motif or fashion accessory that appeared in the tardy Style Louis XIV, in the form of a seashell interlaced similar to acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a buildup of designs for ornaments of furniture and interior decoration. It was the first appearance in print of the term "rocaille" to give the style.[10] The carved or molded seashell motif was gather together with palm leaves or twisting vines to decorate doorways, furniture, wall panels and supplementary architectural elements.[11]In the 19th century, the term was used to characterize architecture or music which was excessively ornamental.[12][13] before the mid-19th century, the term has been all the rage by art historians. even if there is nevertheless some debate virtually the historical significance of the style, Rococo is now often considered as a certain epoch in the increase of European art.

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