MAGNIFICENT PAIR OF EARLY ROCOCO GEORGE II GILTWOOD MIRRORS Carlton Hobbs New York

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MAGNIFICENT PAIR OF EARLY ROCOCO GEORGE II GILTWOOD MIRRORS Carlton Hobbs New York

MAGNIFICENT PAIR OF EARLY ROCOCO GEORGE II GILTWOOD MIRRORS  Carlton Hobbs New York

The word rococo was first used in 1835 in France, as a witty variation of the word rocaille or a incorporation of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to prettify grottoes and fountains before the Renaissance.[8][9] In the tardy 17th and at the forefront 18th century it became the term for a kind of decorative motif or gloves that appeared in the tardy Style Louis XIV, in the form of a seashell interlaced in the manner of acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a deposit of designs for ornaments of furniture and interior decoration. It was the first broadcast in print of the term "rocaille" to allocate the style.[10] The carved or molded seashell motif was combination behind palm leaves or twisting vines to prettify doorways, furniture, wall panels and extra architectural elements.[11]In the 19th century, the term was used to describe architecture or music which was excessively ornamental.[12][13] since the mid-19th century, the term has been trendy by art historians. though there is nevertheless some debate more or less the historical significance of the style, Rococo is now often considered as a clear mature in the encroachment of European art.

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