Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA Clocks 14066

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Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA Clocks 14066

Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA  Clocks 14066

The word rococo was first used in 1835 in France, as a entertaining variation of the word rocaille or a immersion of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to enhance grottoes and fountains past the Renaissance.[8][9] In the late 17th and to the front 18th century it became the term for a kind of decorative motif or partner in crime that appeared in the late Style Louis XIV, in the form of a seashell interlaced following acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a heap of designs for ornaments of furniture and interior decoration. It was the first broadcast in print of the term "rocaille" to allocate the style.[10] The carved or molded seashell motif was combine in the manner of palm leaves or twisting vines to beautify doorways, furniture, wall panels and extra architectural elements.[11]In the 19th century, the term was used to portray architecture or music which was excessively ornamental.[12][13] past the mid-19th century, the term has been well-liked by art historians. while there is nevertheless some debate approximately the historical significance of the style, Rococo is now often considered as a clear become old in the spread of European art.

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