Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

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Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

The word rococo was first used in 1835 in France, as a hilarious variation of the word rocaille or a assimilation of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to prettify grottoes and fountains back the Renaissance.[8][9] In the tardy 17th and prematurely 18th century it became the term for a kind of decorative motif or accomplice that appeared in the late Style Louis XIV, in the form of a seashell interlaced taking into consideration acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a growth of designs for ornaments of furniture and interior decoration. It was the first sky in print of the term "rocaille" to designate the style.[10] The carved or molded seashell motif was accumulate later than palm leaves or twisting vines to ornament doorways, furniture, wall panels and new architectural elements.[11]In the 19th century, the term was used to characterize architecture or music which was excessively ornamental.[12][13] in the past the mid-19th century, the term has been in style by art historians. even though there is yet some debate about the historical significance of the style, Rococo is now often considered as a sure become old in the move ahead of European art.

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Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

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